Thursday, November 8, 2012

Review: The Diviners by Libba Bray

age: YA
genre: paranormal
rating: 4/8 tentacles

Evie "I want to see my name in lights" O'Neill gets shipped off to live with her uncle in Manhattan after her flapper antics cause trouble for her well-to-do parents. In New York, a ritualistic serial killer whose crimes smack with the supernatural is on the loose and the police ask Evie's Uncle Will, owner of a Museum of the Occult, to consult on the case. Unknown to her family, Evie posses a supernatural power of her own, the ability to get psychic readings from objects, and she is convinced that if she uses it, she could play an essential role in the capture of the murderer. But this murderer proves to be darker and more elusive than Evie, Will, & Co. expect.

This book shares some similarities with Libba Bray's previous supernatural trilogy. Both follow the exploits of a young girl in a supernatural version of history. Unlike Gemma's story, The Diviners is written in third person, and instead of focusing primarily on one character, skips between a multitude of them. The book improves when we've had time to get to know the characters a little more. The idea of the American Dream seems to pervade the novel. Most of the characters are motivated by a desire to make something of themselves, to be famous, glamorous, celebrated. To achieve an ideal.

While the book did entertain me, I still felt that something was missing. Instead of the distant, sweeping descriptions of the era, which are scattered throughout the novel (one follows wind, blowing through the city and observing its inhabitants), I would have preferred more time spent on individual characters and more specific, more sensory descriptions of the time period filtered through the points of view of the characters. There was a little too much name dropping to convince me of the setting's authenticity and a little too much stereotype to allow me to connect fully with the characters. The only one I really empathize with is Mabel--I would have like to see more of her. I hope she plays a bigger role in the rest of the trilogy.

The story itself is creepy and mysterious, a good fall read. The plot was resolved at the end (Hooray!), but I'm still left with questions about the characters and their lives. I look forward to the unfolding of these mysteries in the next installment of the trilogy. 

Review: Quiet by Susan Cain

age: adult
genre: nonfiction, psychology
rating: 7/8 tentacles

I think it's a pretty well-established idea that the U.S.A. is an extroverted country with extroverted ideals and extroverted societal expectations.  What role, then, do introverts have in this extroverted world?  Many guides exist that claim they can coach introverts to participate less stressfully in extroverted activities, like networking or extensive socializing.  A lot of these guides are nothing more than advice on how to act more extroverted.  How to fake it.  Susan Cain's Quiet is a refreshing and much needed account of how introverts can find their place in society while remaining true to themselves and without stretching their personality and comfort zone in order to feel normal or be accepted.

Quiet contains many stories of people struggling to fit together the knowledge of who they are and the knowledge of who they grew up believing they were supposed to be.  It also contains stories of people who live in places with introverted ideals (I'm thinking of moving) and how their way of life and self view differs from introverts trapped in extroverted societies.  In these stories, we can see how qualities often looked down on in this society (reservedness, preference for small social gatherings and more abstract conversations, caution) are valued and even sought after.  We might see pieces of ourselves that we've learned to hide celebrated as an ideal.

This book makes me think about how eager everybody is to force their own values and expectations on others, with little empathy or regard for alternate perceptions or ways of life. It's sad, really. Books like Quiet and people like Susan Cain are steps in the direction of understanding and compromise between the different personality types, so I salute her for that.  I recommend this book to introverts looking for some self reflection, self-validation, the strength to live on their terms and to extroverts looking to understand their introverted friends.

Review: The Absolutely True Diary of Part Time Indian by Sherman Alexie

age: children, YA
genre: realistic fiction
rating: 8/8 tentacles

This is the diary of a young boy searching for his place in the world as he grows up on a Spokane Indian Reservation.
 Sherman Alexie tells Arnold "Junior" Spirit's story with poetry and wry honesty. We follow Junior as he struggles to preserve hope in the face of adversity and, at times, tragedy. His vulnerability and earnestness make it almost impossible not to root for him. It's a fast read and includes Junior's doodles and cartoons.  Definitely worth taking the time--I recommend it to everyone. I'm looking forward to reading more of Alexie's work

Review: Spyctacher by Peter Wright

age: adult
genre: nonfiction, autobiography
rating: 7/8 tentacles

Very interesting account of a life's work in MI5. Some of the technical details went over my head but Wright's descriptions of meetings with his co-workers, allies, and informants, were fascinating. He has a knack for dissecting a person on the page and his perceptiveness allows him to comment with intelligent hindsight on the accomplishments and failures of British Security during his career.  This includes the hunt for the alleged mole in MI5, whom Wright believed was eventual Director General Roger Hollis. The intrigue! They never got a confession or any indisputable proof, but I'm convinced.

I am now curious to read the other side of the story... maybe an autobiography of a KGB agent?

Review: Reading Like a Writer by Francine Prose

age: adult
genre: nonfiction, craft
rating: 5/8 tentacles

Reading Like a Writer is a guide for close reading. Francine Prose dedicates each chapter to a different writing element: sentences, paragraphs, dialogue, character, detail, and more. She provides several excerpts per chapter to illustrate these aspects of writing and discusses the mechanics of each excerpt, noting what makes them work or fail to work. And ruins the end of Anna Karenina. Thanks.
 

The thing about writing, is that everybody disagrees about what makes it good--a point that Prose emphasizes as she presents example after example.  The excerpts alone (good and bad) got the wheels in my mind turning. If nothing else, Prose is an excellent curator. I liked seeing opposing writing styles smashed in side by side because they reminded me that there is no "right" way to do something. I have choices. I can learn the rules and then break them. My to-read list is longer now. Some of the excerpts made me want to read more, which made me wonder what it was about them that drew me in. Mostly conflict, I think. The promise of a good conflict. Or cleverly constructed prose. Or... something. Clarity.

Review: The Cult TV Book by Stacey Abbott

age: adult
genre: nonfiction
rating: 6/8 tentacles 

The Cult TV Book is a compilation of essays written by people who have studied television and/or worked in the industry. Essays cover topics from what makes a show "cult" (audience investment and loyalty mostly) to fandom behaviors, levels of celebrity, and case studies on specific cult favorites like Buffy, The Prisoner, and Doctor Who. My most beloved shows have all generally been "cult" and I liked seeing old friends that no one seems to know (like Wonderfalls) name-dropped among these glorious televisory pages. A fun and informative read for anyone who has loved a television show